Lieh Sugai
TRACE is a collected work of photographic images created using traditional film photography and a historical photographic process, chemigram, which I utilize to create reactions between the photographic paper and photographic chemicals.
These images were created in and between my two homes, in Japan and America, over the course of years, mainly during the past year of 2020. While TRACE became a reflection of reminiscence and nostalgia toward my home country during that difficult year, the work is much more than that: it is a spiritual journey populated by memories that surface between reality and illusion. It is also a reflection of a feeling of emptiness, surrender and acceptance to a greater and larger force or power, such as nature and the universe.
In TRACE, following the path of lights and shadows, I am searching for evidence of the existence of my home in my own fragmental memories.
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не могу поверить что этот паблик с 2012 года и до сих пор не удалён как многое бывало, это здорово. а вы давно тут ?
не могу поверить что этот паблик с 2012 года и до сих пор не удалён как многое бывало, это здорово. а вы давно тут ?
Alexis Vasilikos
A Sense of Space (2019)
Space is the substratum of all phenomena and yet we rarely notice it. We are mostly concerned with the phenomena and not the space in which they manifest. This is a series of works that explores the presence of space in photography. In Buddhist philosophy the essence of all phenomena and their substratum are interconnected. As the famous Sutra of the Heart states: “form is emptiness and emptiness is form”.
A Sense of Space (2019)
Space is the substratum of all phenomena and yet we rarely notice it. We are mostly concerned with the phenomena and not the space in which they manifest. This is a series of works that explores the presence of space in photography. In Buddhist philosophy the essence of all phenomena and their substratum are interconnected. As the famous Sutra of the Heart states: “form is emptiness and emptiness is form”.
Alyssa Minahan
NOTES is a visual poem on the impermanence of our lived experiences and the beauty to be found in its acceptance. When I began making this work, I had suffered a profound personal and physical loss. At the same time, I was seeking ways to describe the liminal period in my sons’ lives between boyhood and adolescence, specifically their emotional and physical independence from me as their mother. To give form and meaning to these experiences, I turned to the materiality of the photographic medium, creating objects that question established notions of process and permanence.
NOTES is a visual poem on the impermanence of our lived experiences and the beauty to be found in its acceptance. When I began making this work, I had suffered a profound personal and physical loss. At the same time, I was seeking ways to describe the liminal period in my sons’ lives between boyhood and adolescence, specifically their emotional and physical independence from me as their mother. To give form and meaning to these experiences, I turned to the materiality of the photographic medium, creating objects that question established notions of process and permanence.
Angelica Elliott
This is my ongoing photo book project RÅGSVED, which is a suburb of Stockholm and where I also live. I moved to Rågsved five years ago, after experiencing a traumatic loss. This is where I started over. During four years I have photographed my friends and the people who live here. I've grown very attached to this neighborhood and formed a very strong love for this place. It is my home.
This is my ongoing photo book project RÅGSVED, which is a suburb of Stockholm and where I also live. I moved to Rågsved five years ago, after experiencing a traumatic loss. This is where I started over. During four years I have photographed my friends and the people who live here. I've grown very attached to this neighborhood and formed a very strong love for this place. It is my home.
привет) еду в Петербург с 24-28 мая, возьму пару съёмок на плёнку, за подробностями пишите в личку, снимаю всех )
в мск с июня
в мск с июня
Jesse Lenz
“The Locusts is a project about the microcosmic worlds of plants, insects, animals, and children, searching for grace and healing within the brokenness and imperfection of life,” Lenz explains. His images transport the reader to rural Ohio where his children run wild in the fields, playing and exploring in their surrounding environment, falling asleep in chairs or learning about the reality of death in the bodies of lifeless animals. “The backyard becomes a labyrinth of passages as the children experience the cycles of birth and death in the changing seasons,” he continues. In the monograph, the little worlds of plants, animals, and humans combine to present a brooding landscape where the dichotomies of nature unfold before our eyes: a cat calculating its next move on an unsuspecting mouse, a deer en route somewhere unknown, or a tiny red panda gazing at the camera from a tree—each moment a display of the sweet and savage experiences of living things.
“The Locusts is a project about the microcosmic worlds of plants, insects, animals, and children, searching for grace and healing within the brokenness and imperfection of life,” Lenz explains. His images transport the reader to rural Ohio where his children run wild in the fields, playing and exploring in their surrounding environment, falling asleep in chairs or learning about the reality of death in the bodies of lifeless animals. “The backyard becomes a labyrinth of passages as the children experience the cycles of birth and death in the changing seasons,” he continues. In the monograph, the little worlds of plants, animals, and humans combine to present a brooding landscape where the dichotomies of nature unfold before our eyes: a cat calculating its next move on an unsuspecting mouse, a deer en route somewhere unknown, or a tiny red panda gazing at the camera from a tree—each moment a display of the sweet and savage experiences of living things.
Jesse Lenz
“The Locusts is a project about the microcosmic worlds of plants, insects, animals, and children, searching for grace and healing within the brokenness and imperfection of life,” Lenz explains. His images transport the reader to rural Ohio where his children run wild in the fields, playing and exploring in their surrounding environment, falling asleep in chairs or learning about the reality of death in the bodies of lifeless animals. “The backyard becomes a labyrinth of passages as the children experience the cycles of birth and death in the changing seasons,” he continues. In the monograph, the little worlds of plants, animals, and humans combine to present a brooding landscape where the dichotomies of nature unfold before our eyes: a cat calculating its next move on an unsuspecting mouse, a deer en route somewhere unknown, or a tiny red panda gazing at the camera from a tree—each moment a display of the sweet and savage experiences of living things.
“The Locusts is a project about the microcosmic worlds of plants, insects, animals, and children, searching for grace and healing within the brokenness and imperfection of life,” Lenz explains. His images transport the reader to rural Ohio where his children run wild in the fields, playing and exploring in their surrounding environment, falling asleep in chairs or learning about the reality of death in the bodies of lifeless animals. “The backyard becomes a labyrinth of passages as the children experience the cycles of birth and death in the changing seasons,” he continues. In the monograph, the little worlds of plants, animals, and humans combine to present a brooding landscape where the dichotomies of nature unfold before our eyes: a cat calculating its next move on an unsuspecting mouse, a deer en route somewhere unknown, or a tiny red panda gazing at the camera from a tree—each moment a display of the sweet and savage experiences of living things.
